Damien Hirst's wares are exhibited in one room of the National Gallery, a cramped elevator lobby on the bottom floor that leads directly into a gift shop. For anyone else, the placement could be mistaken for an insult; for Hirst, the metaphor fits. Hirst came from humble and troubled beginnings—from the bottom floor of society, so to speak. Early in life he fell in with a bad crowd and had several run-ins with the law, but soon after discovered his talent for showmanship and salesmanship. His professional ascent was meteoric, easily outstripping the young Brits who competed against him for attention in the 1990s. Now the begoggled businessman sits commandingly in the industry C-suite.
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